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DECEMBER 2004

Film Review:
Hop Aboard The Polar Express

By Jan Aaron

Bearing an uncanny resemblance to Chris Van Allsburg's original storybook, “The Polar Express,” also generates a new liveliness and magic that kids will love and enchant parents, too.

The computer-animated film, which reunites Tom Hanks with director Robert Zemeckis (“Forrest Gump”), is a technical landmark. It is the first feature shot in cutting-edge performance capture technology. The technique, which attaches sensors to actors' faces and bodies and records their movements, which are then animated, has its shortcomings. The eyes in the characters' faces are not especially convincing. It's a quibble. The digital animation allows for beautiful vistas and stunning action sequences that could never be done with live actors. The technology permits Hanks to play five of the major roles, including Hero Boy.

Despite its state-of-the-art technology, the story itself is simple. A small boy has doubts about Santa Claus' existence and he noses around the house, feeling his parents are trying to make him believe in the chubby guy. At midnight of Christmas Day, the boy is stirred from his sleep by the roar of a train coming to halt in front of his house and conductor asks if he is coming aboard. Destination? The North Pole.

The boy hops aboard in his PJs and slippers. He meets other children, Hero Girl (Nona Gaye). Know-it-All Boy (Eddie Deezen) and Lonely Boy (Peter Scolari). They enjoy hot chocolate served by tap dancing waiters. When Hero Boy train-surfs to retrieve Hero Girl's lost ticket, he also meets a hobo (Hanks) on the top of the train. Once at the Pole, he sees Santa give out his first gift.

The lost ticket sequence is one of the most poetic and memorable sequences in the movie, involving golden ticket swirling in the wind, chased by wolves and swept aloft by an eagle. There's an exciting moment when the train skids across an icy expanse and turns into a roller coaster. The kids' shared experiences on board and the mysterious kind conductor, who punches messages in their tickets, plus their experiences at the North Pole with Santa are an engaging story. (100 minutes, G, animated).#

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