Home About Us Media Kit Subscriptions Links Forum
APPEARED IN


View All Articles

Download PDF

FAMOUS INTERVIEWS

Directories:

SCHOLARSHIPS & GRANTS

HELP WANTED

Tutors

Workshops

Events

Sections:

Books

Camps & Sports

Careers

Children’s Corner

Collected Features

Colleges

Cover Stories

Distance Learning

Editorials

Famous Interviews

Homeschooling

Medical Update

Metro Beat

Movies & Theater

Museums

Music, Art & Dance

Special Education

Spotlight On Schools

Teachers of the Month

Technology

Archives:

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

1995-2000


APRIL 2004

Survival Skills: Osama & Goodbye, Lenin!
by Jan Aaron

Director Siddiq Barmakt takes us back into the horrors of Taliban controlled Afghanistan in "Osama," the first film to come out the country since the regime ended. Apart from its historic interest, the bleak story offers good opportunities for high school and college classroom discussions of religious extremism as well as misogyny.

The well-paced story starts when an unnamed girl about 12 (Marina Golbahari) and her widowed mother (Zubaida Sahar) get swept up in a women's rights demonstration and Taliban soldiers, using water hoses and live ammunition, scatter the crowd clad in gold and blue burkhas. Under the Taliban, women could neither work nor go out without a male companion.

The two take shelter with a street urchin, Espandi (Arif Herati). He's first seen taking money from a Western cameraman, who later is sentenced to death for daring photograph around town. When the Taliban close a hospital (and take the women doctors to jail), the widow, who secretly has been working there, is unable to make a living. Concocting a dangerous plot, the mother and old grandmother cut the girl's hair, dress her as a boy, and get her a job with a kindly shopkeeper, who's in on the secret, until she is rounded up with the other boys ordered into a Taliban school. Espandi knows who she is but instead of turning her in, becomes her School scenes are especially suspenseful, as time and time again, the girl narrowly escapes detection. Her ultimate exposure is terrifying and her punishment is devastating. There is not much overt violence in the film, but it constantly bubbles under the surface.

Much of the force of the film comes from the performances by the young inexperienced actors, recruited from the streets of Kabul. Most especially riveting is Golbahari's terrified young girl. The gifted cinematographer Ebrahim Ghafuri infuses the film with poignant images. (82 minutes, NR)

The perfect antidote to this harrowing movie is "Goodbye, Lenin!" This comedy is about the fall of the East Berlin wall, and how a young man keeps his ailing mother alive by making her think it hasn't fallen at all. (121 minutes; R.)#

COMMENT ON THIS ARTICLE

Name:

Email:
Show email
City:
State:

 


 

 

 

Education Update, Inc.
All material is copyrighted and may not be printed without express consent of the publisher. © 2005.